Has it really been six years since Hard Candy? On their fifth album, not counting their live and compilation albums, the band splits the record into two parts, the very rock and roll “Saturday Nights” and the melancholy, introspective “Sunday Mornings”.
In my personal opinion, Counting Crows put out nothing but great work and this album is no different. From the very first song it’s apparent that frontman Adam Duritz has been writing extensively and I wonder just how much had escaped his genius cranium onto paper; it’s always been a little dream of mine that one day he’ll put out a book of poetry and maybe then everyone will finally realize his true genius. On the opening track “1492″, Adam croons in the bridge using the idiom “In fourteen-hundred ninety-two Columbus sailed the ocean blue”, but then continues the story with “In fourteen-hundred ninety-three, he sailed across the deep blue sea, In fourteen-hundred ninety-four, he did it with the girl next door, In fourteen-hundred ninety-five, he barely made it back alive.” Followed by “I’m the king of everything, I’m the king of nothing”, a line derived from the song “Rain King” on “August and Everything After”, their initial album. On the first half of the album, the Crows stretch their obvious rootsy-rock and roll legs made definitive by their heroes The Beatles, Bob Dylan, The Band, and early R.E.M.. The song “Los Angeles” was co-written by close friend of the band and Duritz, Ryan Adams, and his hand shows in that song without being overbearing.
Moving on to the second half of the album, “Sunday Mornings”, starts with the guitar and sparse piano track “Washington Square”, then the guitar and harmonica “On Almost Any Sunday Morning” reminiscient of early Crows songs like “A Long December” or “Anna Begins”, lyrically at least. I can’t choose a favorite track between “Cowboys” and “When I dream of Michealangelo”. So much of this song [Michealangelo] is sobering and spine-tingling; the line ” I want a whitebread life, just something ignorant and plain, but from the walls of Michealangelo I’m dangelin again”. What? Thats the best line I’ve heard in a long time and it makes me shiver. So many people today simply want just that, a whitebread plain life thinking that the perfect life is something like a Michealangelo painting. Of course, I could be wrong, but thats what I take from this song.
The album closes with a bit more happy note than the somber “Sunday Mornings” mood with “Come Around”, a song about love and it’s ever tumultuous nature. I think it’s easy to just pass this off as a record that should’ve been made thirty years ago and move on to newer, shinier, happier records, but that would be the ultimate tragedy. In this record Adam maneuvers through rough territory telling stories of incredibly despondent people and how we all, as humans, have the same emotions and through the glitz and glamour of what we call life today, there are the ultimate tragedies of loss, death and addiction.
All in all I can’t recommend this album more to anyone. Is everyone going to get it? I don’t think so, but years and years from now, this is one of those records that defines the bands’ career and stands out as a beacon of real music in a time where iPods fill up with thousands of unlistened to songs and the radio is overrun with the likes of Nickleback and the like.
9.5/10

Song Picks:
Hanging Tree
Cowboys
You Can’t Count On Me
When I Dream of Michealangelo